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“Weapons and White Music, a compact anthology of Pinder’s art from the last decade or so, on view at Wayne State University’s Elaine Jacob Gallery now through April 27, showcases a body of work that balances aesthetics and activism. It addresses issues of race not with unequivocal slogans but in an audio-visual language that prompts contemplation, investigation, and soul-searching. There are no handy wall labels here to coach the visitor, so inevitably, the nature of that contemplation will vary from one person to the next.”
The performance by Jefferson Pinder is one of more than 100 new acquisitions recently announced by the institution
Pinder’s portrayal of the black body at work, under distress, and moving through pain and exhaustion constitutes an act of resistance and social commentary. As Pinder states, “I portray the black body both frenetically and through drudgery in order to convey relevant cultural experiences.”
February marked the opportunity to travel to Blacksburg, VA with my collaborator Kasiem Walters in order to work through a new piece at Virginia Tech’s Moss Arts Center.
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